With a game that requires you to move at all times? Not so much. Meat Boy still feels a bit slippery, which is fine when you have your own agency. It doesn’t help that the controls are more suited for the first game rather than this one. The average stage length is also longer than a regular Super Meat Boy level, which makes the pacing simultaneously feel too slow for a twitchy platformer and too fast for an auto-runner. Sure, once you beat the game, you can reroll stage designs to make a “fresh” experience, but I don’t feel excited enough to try again. It doesn’t help that this makes the game suffer from inconsistent difficulty spikes, as I was having a tough time in the second world. Some concepts (like the second world’s inclusion of steel wool that will kill you if you so happen to stay in one place for too long) are interesting in theory, but because of the random nature of stage generation, might have some level chunks that end up being way too annoying to get through. While the procedural generation of stages would theoretically allow for infinite possibilities and different playthroughs, in actuality it becomes an exercise in frustration. Beating enough levels will unlock the world’s boss, which you must defeat in order to proceed to the next world.

You have a timer that you can try to beat in order to get an A+ ranking and tackle a Dark World version of the stage (which is basically a reskinned and harder version). While the worlds have a general theme that must be followed, the level segments are random. Now, compared to the well-crafted smaller levels of the original, you have slightly longer levels consisting of chunks of procedurally generated bits and pieces. Chalk one up for edible character design, I suppose. The same zany visual aesthetic remains, and while it’s frustrating to die often, it’s still somewhat satisfying to see your character’s guts spill all over the place. From buzzsaws to ghosts, there’s more than enough enemies and objects here that will grind you to a bloody pulp. It’s easier said than done, however, as much like Super Meat Boy, everything is out to kill you. Here, you automatically move from left to right as you jump, punch, and duck to the end. In Super Meat Boy Forever, you control Meat Boy or Bandage Girl (plus unlockable characters) as you traverse different worlds and defeat bosses that Dr. I’ve got an unpopular opinion that auto-runners aren’t necessarily a bad thing (I did give the Bubsy game a positive review, after all), but I also acknowledge there’s a degree of difficulty that’s suitable in these games. It’s a vast departure from the last game, which turns it from a hard-as-nails platformer to a hard-as-nails auto-runner the likes of the Runner trilogy or Bubsy: Paws on Fire. Fetus didn’t catch the memo and kidnapped Nugget now, the duo must run through a procedurally-generated gauntlet of auto-scrolling levels in order to save their child and foil the evil doctor’s schemes.Īnd yeah, if you read “procedurally-generated gauntlet of auto-scrolling levels” and grimaced, you’re not alone. In Super Meat Boy Forever, the titular Meat Boy has settled down with Bandage Girl and their child Nugget.

In the midst of trying to create something new, it’s lost some of its identity, but still has the same visual charm of the original. There comes a time where every franchise must start anew, and Team Meat (minus some of its influential creators) has finally made Super Meat Boy Forever. With its emphasis on fast-paced platforming and challenging but fair difficulty, it’s a classic the world over and has been ported to a multitude of consoles and handhelds. It’s hard to believe the indie game Super Meat Boy has been out for over a decade now.

Super meat boy forever reviews